TY - UNPB
T1 - Art in Times of Crisis
AU - David, Géraldine
AU - Li, Yuexin
AU - Oosterlinck, Kim
AU - Renneboog, Luc
N1 - CentER Discussion Paper Nr. 2021-026
PY - 2021/9/23
Y1 - 2021/9/23
N2 - Is art a safe haven in times of political
or financial crisis? We trace the long-term performance of the UK art market
during world wars, economic recessions, financial crises, inflationary periods,
and changes in monetary policy. We digitalized historical auction archives to
construct art price indices from the early 20th century onwards. Annual art
auction value grew, in real terms, more than seven-fold over the past century.
The arithmetic annual real return and risk amount to 3.6% and 20.1%,
respectively. Art returns plummeted at the onset of wars, but in the later
years of war periods, returns became positive and outperformed equities, which
suggests that art could serve as a hedge against political uncertainty. During
wars, smaller and thus transportable paintings obtained higher returns. Art is
sensitive to economic and financial crises, with the largest slumps occurring
in the Post-WWI recession, the Great Depression, the oil crisis, the recessions
of the early 1980s and early 1990s, and the Great Recession. By far the largest
declines in art returns occurred in 1931 (-63%) and for the post-WWII period in
1991 (-37%) when the largest art market bubble in art history burst. We
highlight changes in art preferences for specific paintings by size, art school,
art objects’ liquidity, and artists’ nationalities during different crises. We
report that art enters a broad optimal asset portfolio both in non-crisis
periods and during war times, but not during financial crisis and economic
recessions.
AB - Is art a safe haven in times of political
or financial crisis? We trace the long-term performance of the UK art market
during world wars, economic recessions, financial crises, inflationary periods,
and changes in monetary policy. We digitalized historical auction archives to
construct art price indices from the early 20th century onwards. Annual art
auction value grew, in real terms, more than seven-fold over the past century.
The arithmetic annual real return and risk amount to 3.6% and 20.1%,
respectively. Art returns plummeted at the onset of wars, but in the later
years of war periods, returns became positive and outperformed equities, which
suggests that art could serve as a hedge against political uncertainty. During
wars, smaller and thus transportable paintings obtained higher returns. Art is
sensitive to economic and financial crises, with the largest slumps occurring
in the Post-WWI recession, the Great Depression, the oil crisis, the recessions
of the early 1980s and early 1990s, and the Great Recession. By far the largest
declines in art returns occurred in 1931 (-63%) and for the post-WWII period in
1991 (-37%) when the largest art market bubble in art history burst. We
highlight changes in art preferences for specific paintings by size, art school,
art objects’ liquidity, and artists’ nationalities during different crises. We
report that art enters a broad optimal asset portfolio both in non-crisis
periods and during war times, but not during financial crisis and economic
recessions.
KW - art markets
KW - art pricing models
KW - art auction
KW - economic recession
KW - financial crisis
KW - economic history
KW - portfolio optimization.
M3 - Discussion paper
VL - 2021-026
T3 - CentER Discussion Paper
BT - Art in Times of Crisis
PB - CentER, Center for Economic Research
CY - Tilburg
ER -