'From Compton to Congress’: The Barbarians Inside the Gates. An Exploration of ‘Black Subjectivity’ in Kendrick Lamar’s To Pimp A Butterfly

Siebe Bluijs

'From Compton to Congress’: The Barbarians Inside the Gates. An Exploration of ‘Black Subjectivity’ in Kendrick Lamar’s To Pimp A Butterfly

Research output: Chapter in Book/Report/Conference proceeding › Chapter › Scientific › peer-review

Original language	English
Title of host publication	Subjects Barbarian, Monstrous, and Wild
Subtitle of host publication	Encounters in the Arts and Contemporary Politics
Publisher	Brill \| Rodopi
Pages	72-87
Publication status	Published - 2017
Externally published	Yes

Publication series

Name	Thamyris Intersecting Place, Sex and Race

Cite this

@inbook{82af79e593f94e6ca80000173c9c4417,

title = "'From Compton to Congress{\textquoteright}: The Barbarians Inside the Gates. An Exploration of {\textquoteleft}Black Subjectivity{\textquoteright} in Kendrick Lamar{\textquoteright}s To Pimp A Butterfly",

author = "Siebe Bluijs",

year = "2017",

language = "English",

series = "Thamyris Intersecting Place, Sex and Race",

publisher = "Brill | Rodopi",

pages = "72--87",

booktitle = "Subjects Barbarian, Monstrous, and Wild",

}

'From Compton to Congress’: The Barbarians Inside the Gates. An Exploration of ‘Black Subjectivity’ in Kendrick Lamar’s To Pimp A Butterfly. / Bluijs, Siebe.
Subjects Barbarian, Monstrous, and Wild: Encounters in the Arts and Contemporary Politics. Brill | Rodopi, 2017. p. 72-87 (Thamyris Intersecting Place, Sex and Race).

Research output: Chapter in Book/Report/Conference proceeding › Chapter › Scientific › peer-review