Merijn Oudenampsen focuses on some of the deeper issues and paradoxes that underly both art discourse and the recurring discussion about its intelligibility in the Netherlands. Can it be that the “unassailable jargon” of art discourse and the anti-intellectualism of newspaper journalists criticizing it stem from a similar background? Could it be that they are both actually feeding and reinforcing each other?
|Journal||Open! Platform for Art, Culture and the Public Domain|
|Publication status||Published - 2 Jul 2014|