Tarenskeen's LUTHER: Allowing for new forms of sacrality

L. Wijnia, Mirella Klomp

    Research output: Contribution to journalArticleScientificpeer-review

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    Abstract

    This article explores the dynamics of sacrality in contemporary culture through the performance of LUTHER, a work by Dutch composer Boudewijn Tarenskeen. By means of reinterpreting the person and texts of Martin Luther, Tarenskeen created a performance in which different dynamics of the sacred were at play. The analysis regards the performance of this piece during the annual arts festival Musica Sacra Maastricht, a festival that is concerned with exploring the notion of the sacred in religious and secular music.
    Original languageEnglish
    Pages (from-to)243-259
    Number of pages17
    JournalJaarboek voor Liturgie-onderzoek
    Issue number30
    Publication statusPublished - 2014

    Fingerprint

    Martin Luther
    Arts Festivals
    Secular Music
    Person
    Religion
    Composer
    Maastricht

    Keywords

    • sacred
    • performance
    • festival

    Cite this

    Wijnia, L. ; Klomp, Mirella. / Tarenskeen's LUTHER : Allowing for new forms of sacrality. In: Jaarboek voor Liturgie-onderzoek. 2014 ; No. 30. pp. 243-259.
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    Tarenskeen's LUTHER : Allowing for new forms of sacrality. / Wijnia, L.; Klomp, Mirella.

    In: Jaarboek voor Liturgie-onderzoek, No. 30, 2014, p. 243-259.

    Research output: Contribution to journalArticleScientificpeer-review

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