Abstract
A comparative essay on the role of gender and the use of the last supper motive by contemporary artists Marlene Dumas, Mary Beth Edelson and Elisabeth Ohlson Wallin.
| Original language | English |
|---|---|
| Pages (from-to) | 48-56 |
| Number of pages | 8 |
| Journal | N.paradoxa: international feminist art journal |
| Volume | 33 |
| Publication status | Published - 2014 |
Keywords
- contemporary art
- religion
- feminism
- last supper