The “making up” of mad women in literature: Pathologization of female unreliable narrators in domestic noir novels

This article examines how contemporary domestic noir fiction and its online reception relate to the pathologization of women’s testimony. Combining feminist narratology, critical phenomenology, and Ian Hacking’s concept of “making up people,” we analyze Paula Hawkins’s The Girl on the Train and A.J. Finn’s The Woman in the Window alongside Goodreads reviews of both novels. We argue that these texts mobilize women’s psychological distress—addiction, agoraphobia, depression, trauma, and gaslighting—as sources of narrative suspense while simultaneously casting doubt on women’s credibility as witnesses to their own experiences. Drawing on a thematically coded corpus of Goodreads reviews, we identify a spectrum of reader responses, ranging from diagnostic and moralizing readings that reproduce testimonial injustice to empathic and feminist readings that challenge pathologizing assumptions. By bringing textual analysis and reader-response research into dialogue, the article demonstrates that the credibility of female narrators is not determined by narrative form alone but is negotiated through broader cultural assumptions about women’s reliability and authority. Domestic noir thus emerges as a key site where women’s suffering becomes a contested object of interpretation in contemporary reading culture.