The Visual Language of Comics: Introduction to the Structure and Cognition of Sequential Images

Research output: Book/ReportBook

Abstract

Drawings and sequential images are an integral part of human expression dating back at least as far as cave paintings, and in contemporary society appear most prominently in comics. Despite this fundamental part of human identity, little work has explored the comprehension and cognitive underpinnings of visual narratives—until now.

This work presents a provocative theory: that drawings and sequential images are structured the same as language. Building on contemporary theories from linguistics and cognitive psychology, it argues that comics are written in a visual language of sequential images that combines with text. Like spoken and signed languages, visual narratives use a lexicon of systematic patterns stored in memory, strategies for combining these patterns into meaningful units, and a hierarchic grammar governing the combination of sequential images into coherent expressions. Filled with examples and illustrations, this book details each of these levels of structure, explains how cross-cultural differences arise in diverse visual languages of the world, and describes what the newest neuroscience research reveals about the brain’s comprehension of visual narratives. From this emerges the foundation for a new line of research within the linguistic and cognitive sciences, raising intriguing questions about the connections between language and the diversity of humans’ expressive behaviours in the mind and brain.
Original languageEnglish
Place of PublicationLondon
PublisherBloomsbury Academic
Number of pages224
ISBN (Print)9781441181459
Publication statusPublished - 2013
Externally publishedYes

Fingerprint

Cognition
Visual Languages
Visual Narrative
Language
Cross-cultural Differences
Cognitive Psychology
Book Illustration
Spoken Language
Linguistic Science
Neuroscience
Expressive
Grammar
Signed Language
Lexicon
Cognitive Science
Fundamental
Cave Painting

Keywords

  • language
  • linguistics
  • narrative
  • visual language
  • comics
  • visual morphology
  • semiotics
  • cognitive neuroscience
  • cognitive linguistics
  • cognitive science
  • grammar
  • design
  • visual studies
  • visual communication

Cite this

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title = "The Visual Language of Comics: Introduction to the Structure and Cognition of Sequential Images",
abstract = "Drawings and sequential images are an integral part of human expression dating back at least as far as cave paintings, and in contemporary society appear most prominently in comics. Despite this fundamental part of human identity, little work has explored the comprehension and cognitive underpinnings of visual narratives—until now. This work presents a provocative theory: that drawings and sequential images are structured the same as language. Building on contemporary theories from linguistics and cognitive psychology, it argues that comics are written in a visual language of sequential images that combines with text. Like spoken and signed languages, visual narratives use a lexicon of systematic patterns stored in memory, strategies for combining these patterns into meaningful units, and a hierarchic grammar governing the combination of sequential images into coherent expressions. Filled with examples and illustrations, this book details each of these levels of structure, explains how cross-cultural differences arise in diverse visual languages of the world, and describes what the newest neuroscience research reveals about the brain’s comprehension of visual narratives. From this emerges the foundation for a new line of research within the linguistic and cognitive sciences, raising intriguing questions about the connections between language and the diversity of humans’ expressive behaviours in the mind and brain.",
keywords = "language, linguistics, narrative, visual language, comics, visual morphology, semiotics, cognitive neuroscience, cognitive linguistics, cognitive science, grammar, design, visual studies, visual communication",
author = "Neil Cohn",
year = "2013",
language = "English",
isbn = "9781441181459",
publisher = "Bloomsbury Academic",

}

The Visual Language of Comics : Introduction to the Structure and Cognition of Sequential Images. / Cohn, Neil.

London : Bloomsbury Academic, 2013. 224 p.

Research output: Book/ReportBook

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AB - Drawings and sequential images are an integral part of human expression dating back at least as far as cave paintings, and in contemporary society appear most prominently in comics. Despite this fundamental part of human identity, little work has explored the comprehension and cognitive underpinnings of visual narratives—until now. This work presents a provocative theory: that drawings and sequential images are structured the same as language. Building on contemporary theories from linguistics and cognitive psychology, it argues that comics are written in a visual language of sequential images that combines with text. Like spoken and signed languages, visual narratives use a lexicon of systematic patterns stored in memory, strategies for combining these patterns into meaningful units, and a hierarchic grammar governing the combination of sequential images into coherent expressions. Filled with examples and illustrations, this book details each of these levels of structure, explains how cross-cultural differences arise in diverse visual languages of the world, and describes what the newest neuroscience research reveals about the brain’s comprehension of visual narratives. From this emerges the foundation for a new line of research within the linguistic and cognitive sciences, raising intriguing questions about the connections between language and the diversity of humans’ expressive behaviours in the mind and brain.

KW - language

KW - linguistics

KW - narrative

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KW - visual morphology

KW - semiotics

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KW - cognitive linguistics

KW - cognitive science

KW - grammar

KW - design

KW - visual studies

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